A color photo of a concrete lantern that was installed in the pond by Charles K. Savage and was later lost, stolen, etc. Also a slide transparency located in the archive slide box.
Description: A color photo of a concrete lantern that was installed in the pond by Charles K. Savage and was later lost, stolen, etc. Also a slide transparency located in the archive slide box.
A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
Description: A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
Description: A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
Description: A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
Description: A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
Description: A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
Description: A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
Description: A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
Description: A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
Description: A digital color photo and a negative of the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
Black and white photo of a living room. This is probably the living room in the first or second home of Joseph Curtis. This house has wainscotting, wall paper, and a finishd wood panelled ceiling. These features are probably an indication that the home is the Emerson designed home "Shell Heap" rather than the later two homes of Joseph Curtis. Wall decor includes a print that is currently in Thuya Lodge and the wooden chair to the right of the fireplace may also be in the current Lodge collection.
Description: Black and white photo of a living room. This is probably the living room in the first or second home of Joseph Curtis. This house has wainscotting, wall paper, and a finishd wood panelled ceiling. These features are probably an indication that the home is the Emerson designed home "Shell Heap" rather than the later two homes of Joseph Curtis. Wall decor includes a print that is currently in Thuya Lodge and the wooden chair to the right of the fireplace may also be in the current Lodge collection. [show more]
A digital color photo and a negative of Tom Hall, seated on the Reef Point Bench in the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
Description: A digital color photo and a negative of Tom Hall, seated on the Reef Point Bench in the Asticou Azalea Garden in the Fall, 1988-1989. This is one of several photos thought to have been taken by Leslie Ricker and used as commerciallly available prints in frames sold through the Jordan Pond House gift shop and other local outlets. It is thought that the negatives for the prints were given to Tom Hall by Mr. Ricker.
Print of a flyer made by Tom Hall to announce the completion of the Beatrix Farrand Reef Point bench for the Asticou Azalea Garden. Bench commissioned with a donation from Mr. and Mrs. Harry Neilson, Jr.
Description: Print of a flyer made by Tom Hall to announce the completion of the Beatrix Farrand Reef Point bench for the Asticou Azalea Garden. Bench commissioned with a donation from Mr. and Mrs. Harry Neilson, Jr.
A list compiled by Unknown person of books that were missing from the inventory in the library as of June 12, 1988. This list includes newsly discovered missing books and also books that were know to be missing prior to that date as well. The typewritten list contains handwritten notes in the hand of Denny Jacobs that indicates some of the books were sold already.
Description: A list compiled by Unknown person of books that were missing from the inventory in the library as of June 12, 1988. This list includes newsly discovered missing books and also books that were know to be missing prior to that date as well. The typewritten list contains handwritten notes in the hand of Denny Jacobs that indicates some of the books were sold already.
Thesis contains exploration of the Colonial Revival through selected works of Fred Savage, architect. A thesis Submitted to The Savannah College of Arts & Design. (Only Title page, Index and List of figures have been scanned)
Description: Thesis contains exploration of the Colonial Revival through selected works of Fred Savage, architect. A thesis Submitted to The Savannah College of Arts & Design. (Only Title page, Index and List of figures have been scanned)
Letter to Mr. Pyle from Lee Patterson, containing Robert W. Patterson's Landscape architect designs. Lists of clients and projects from surviving account books.
Description: Letter to Mr. Pyle from Lee Patterson, containing Robert W. Patterson's Landscape architect designs. Lists of clients and projects from surviving account books.
Several magazine articles featuring architect Roc R. Caivano's work. Cover: House & Garden Building, Summer 1978 (excerpt) 1. At Home in the Sun: An Open-House tour of solar homes in the United States (Norah Deakin Davis and Linda Lindsey), 1979 2. L'Architecture d'Aujourd'hui, Juin 1980 3. Process: Architecture No. 21 - "Solar and Underground Houses" - 1981 4. Down East Magazine, October 1988 (article by Norah Deakin Davis about the Wendell Gilley Museum) 5. Down East Magazine, July 2001 (article by Paul Doiron) 6. Maine Boats & Harbors, Autumn 2002 (article by Edgar Allen Beem) 7. Custom Home, November/December 2002 8. Fine Homebuilding, Houses Annual Issue, Summer 2003 (article by Roc Caivano) 9. Down East Magazine, March 2004 (article by James Schwartz) 10. Down East Magazine, September 2007 (article by Kim Ridley) 11. Fine Homebuilding, Houses Annual Issue, Summer 2008 (article by Roc Caivano) 12. Down East Magazine, Home & Garden Issue, April 2011 (article by Edgar Allen Beem) 13. The Somesville Bridge (Roc Caivano), 2017. Published in Chebacco, The Magazine of the Mount Desert Historical Society, Volume XVIII, 2017
Description: Several magazine articles featuring architect Roc R. Caivano's work. Cover: House & Garden Building, Summer 1978 (excerpt) 1. At Home in the Sun: An Open-House tour of solar homes in the United States (Norah Deakin Davis and Linda Lindsey), 1979 2. L'Architecture d'Aujourd'hui, Juin 1980 3. Process: Architecture No. 21 - "Solar and Underground Houses" - 1981 4. Down East Magazine, October 1988 (article by Norah Deakin Davis about the Wendell Gilley Museum) 5. Down East Magazine, July 2001 (article by Paul Doiron) 6. Maine Boats & Harbors, Autumn 2002 (article by Edgar Allen Beem) 7. Custom Home, November/December 2002 8. Fine Homebuilding, Houses Annual Issue, Summer 2003 (article by Roc Caivano) 9. Down East Magazine, March 2004 (article by James Schwartz) 10. Down East Magazine, September 2007 (article by Kim Ridley) 11. Fine Homebuilding, Houses Annual Issue, Summer 2008 (article by Roc Caivano) 12. Down East Magazine, Home & Garden Issue, April 2011 (article by Edgar Allen Beem) 13. The Somesville Bridge (Roc Caivano), 2017. Published in Chebacco, The Magazine of the Mount Desert Historical Society, Volume XVIII, 2017 [show more]
Brochure of the exhibition of drawings of Maine architects at the Portland Art Museum entitled "The Maine Perspective; Architectural drawings architects at the Portland Art Museum by O'Gorman and Shuttleworth. This exhibit included a Fred Savage drawing from the library.
Description: Brochure of the exhibition of drawings of Maine architects at the Portland Art Museum entitled "The Maine Perspective; Architectural drawings architects at the Portland Art Museum by O'Gorman and Shuttleworth. This exhibit included a Fred Savage drawing from the library.